By the way, I went looking into the publishing date, and in typical wiki walk style, ended up learning about the difference between horror and terror. I need a new shelf, because this one goes into the second without question.
Points I can praise without spoiling (much):
The way everyone chats and snarks, cool as cucumbers while all the shit is going down. At times it made me laugh, at times I would tilt my head and wonder whether everyone was just crazy, and at times I would go back a paragraph wondering if I had miss-read
The dialogue (again), and how it crosses, goes over each others lines, interrupts, repeats, mixes conversations. Very natural. And sometimes confusing. You have to be engaged, because it goes fast.
Eleanor's thought process. Yeah...
All the commentary on social interaction. Jackson is a scary observant woman.
"She knew, of course, that he was delighting in exceeding his authority, as though once he moved to unlock the gate he would lose the little temporary superiority he thought he had—and what superiority have I? she wondered; I am outside the gate, after all. She could already see that losing her temper, which she did rarely because she was so afraid of being ineffectual, would only turn him away, leaving her still outside the gate, railing futilely. She could even anticipate his innocence if he were reproved later for this arrogance—the maliciously vacant grin, the wide, blank eyes, the whining voice protesting that he would have let her in, he planned to let her in, but how could he be sure? He had his orders, didn’t he? And he had to do what he was told? He’d be the one to get in trouble, wouldn’t he, if he let in someone who wasn’t supposed to be inside?"
Not able to comment on without spoiling:
At any rate, an excellently written spook.
“God God—whose hand was I holding?”